Autohinted with updated ttfautohint 0.4 (which no longer causes Adobe and iOS problems) except the Hai and Lig weights which are hinted in FLS 5.1.Greatly expanded character set, revised metrics, four additional weights.Interpolated the Medium weight differently so it provides more visual - difference from Regular.Revised OTL features so that they work in browsers (ot-sanitise).Improved some contour bugs and diacritics positioning.Initial implementation of mark positioning (should work for most glyphs).Added the glyphs I.ss05 and l.ss05 and the associated ss05 “legible forms” feature.Updated the design of the aturned glyph in Upright.Updated the design of the fourfifths glyph.Updated the design of the Bsmall glyph in Italic.Published the sources in FontLab Studio 5 VFB format.Moved ligatures that involve i and j to dlig feature (by popular demand).Renamed glyphs for more consistent experience.Added the sources in FontLab VI VFC & VFJ format ( 20-VFC-2M-designsource folder has 2 masters, 30-VFC-3M-production has 3 masters, needed for VF export).Perhaps just remove STAT from the statics in a postprocessing step Right now it’s done via FEA but it’s stupid since the statics get the STAT for the VF. TODO Automate STAT building either via statmake or FEA.Added table STAT definition in FEA - note: for this reason, the features don’t compile in FontLab.Improved anchors for mark & mkmk, limiting them to non-accented Latin and Cyrillic base letters, and to combining marks.Added scripted build system (see Building).Added the ss06 feature for Serbian localized glyphs.Redesigned the _i ligatures to have a dot, and moved them to liga.The sources are now FontLab 7 VFJ, with 2 masters (Hairline, Black) in 2 fonts (Upright, Italic).
#FONTLAB STUDIO 5 CUSTOM GLYPHS INSTALL#
#FONTLAB STUDIO 5 CUSTOM GLYPHS LICENSE#
The Lato fonts are available free of charge under the SIL Open Font License from Contact It now supports 100+ Latin-based languages, 50+ Cyrillic-based languages as well as Greek and IPA phonetics. In 2013-2014, the family was greatly extended (with the help of Adam Twardoch and Botio Nikoltchev) to cover 3000+ glyphs over nine weights with italics. The semi-rounded details of the letters give Lato a feeling of warmth, while the strong structure provides stability and seriousness. At the same time, its sleek sanserif look makes evident the fact that Lato was designed in the 2010s, even though it does not follow any current trend. The classical proportions, particularly visible in the uppercase, give the letterforms familiar harmony and elegance. It tries to carefully balance some potentially conflicting priorities: it should seem quite "transparent" when used in body text but would display some original traits when used in larger sizes. Lato is a sanserif typeface family designed in the Summer 2010 and extended in the Summer 2013 by Warsaw-based designer Lukasz Dziedzic ("Lato" means "Summer" in Polish). Lato is a trademark of tyPoland Lukasz Dziedzic.Licensed under the Licensed under the SIL Open Font License, Version 1.1. Copyright (c) 2010-2020 by tyPoland Lukasz Dziedzic with Reserved Font Name “Lato”.Designed by: Łukasz Dziedzic with Adam Twardoch and Botio Nikoltchev.Version 3.100.dev2 Latin+Cyrillic+Greek+IPA opensource.
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